The opera world’s attention will be
focused this season on the Dallas Opera, where the eagerly
awaited state-of-the-art new Winspear Opera House will be
opening late in 2009. Great Performance Tours is pleased to
announce a visit to Dallas in the early spring to attend the
thrilling World Premiere performance of Jake Heggie’s
widely anticipated opera Moby Dick, which will feature today’s
reigning heldentenor Ben Heppner in the title role. This will
mark our first return to Dallas since 2003. A second evening
in Dallas will enable us to attend a concert by the superlative
Dallas Symphony in their I. M. Pei – designed Meyerson
Center. The conductor Claus Peter Flor will lead a program
of 19th century romantic works by Dvorak, Max Bruch and César
Franck.
Our
choice of the deluxe and traditional Fairmont Hotel for a
two-night stay reflects our enthusiasm to enjoy the remarkably
centralized Dallas Arts District, where all of the city’s
major cultural institutions are now within easy walking distance
of the hotel. The new opera house, the symphony hall, the
Dallas Museum of Art and the Nasher Sculpture Center have
all been centered in this quarter due to unusually wise city
planning with an eye to the future.
Immediately
after Dallas, we will transfer by private bus to Houston for
two nights at the downtown Lancaster Hotel, a short walk across
the plaza to the city’s acclaimed Wortham Center. We
are fortunate that our schedule enable us to include a pair
of the season’s operatic highlights by the Houston Grand
Opera, indisputably one of the foremost companies in the world.
First will be Tchaikovsky’s passionate 19th century
melodrama, The Queen of Spades (‘Pique Dame’),
with a largely idiomatic Russian cast headed by tenor Vladimir
Galouzine as the compulsive gambler Hermann. And our final
performance will be Handel’s 17th century Baroque landmark
Xerxes, being staged for the peerless American counter-tenor
David Daniels, mezzo-soprano Susan Graham, and the Texas-born
soprano Laura Claycomb. ‘The Queen of Spades’
is the celebrated Welsh National Opera production, and the
stylish staging of ‘Xerxes’ is on loan from London’s
English National Opera.
Late
April should be an ideal period of spring weather to explore
the cultural wealth of both Dallas and Houston. We look forward
to odur overdue return to Texas for a busy program of four
consecutive performances of the highest quality.